People tell you not to judge a book by a cover. How about
judging albums by their artwork? Looking at Beak’s second effort album artwork you
are met with a simplistic design like the constant grooves and rhythms that are
in frequent effect during this hypnotic listen.
Some bands shy away from their influences but Geoff Barrow’s
other project Beak> have embraced them constructing their own formula for
the fascinating experimental music that interests them. The record lurches into
action with eerie opener “The Gaol” with synths spinning around like a broken siren.
Whilst “Spinning Top” furthers the atmospheric experience with the track
jolting along, with Barrow’s indecipherable voice drowning in the entrancing
noise. “Wulfstan II” explodes out of the trancelike surrounding tracks, with a
piercing bass line that pulsates into a 7 minute classic. Beak> have
mastered their influences but unfortunately have not developed their beloved Kratrock
genre with revolutionary ideas.
In the music world today a lack of innovation is seen as unadventurous,
but is a lack of innovation really the unexpected adventurous option? Who knows and who cares when you have a record
like this that oozes a love of a genre and offers a dynamic exciting listen. In
a time when 90’s alt rock revival is in full blossom, a hypnotic drive back down
the autobahn to a Krautrock inspired sound is most welcome!
7.5/10
